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Amp Tone Controls for Drive, Bass, Mid, Treble, Presence and Chan Vol are accessible at any time from six large dedicated chrome knobs situated over the top bank of footswitches. The services of JAMS are provided at no cost to you. Otherwise it's a great effects pedal. Remember the monstrous ping-pong delay reference? Pod xt live models long ago, amps, pedals, and software that changed your guitar sound digitally might have been fun to play with, but the thin sounds were not ready for the big leagues. Could you Xxx anal cock college tell Pod xt live models why the review was or was not helpful?
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You must log in or sign up to post here. Page The Delay Effects All product names are trademarks of their respective owners, which are in no way associated or af- filiated with Line 6. Feedback: 1 positive. The result is an echo unit that gives you unique new creative possibilities for adjusting the tone of your delays with a beautiful, burbling texture. Thanks guys for the responses. The Page 2 knobs adjust the speed and depth of the sweeping filter part of the effect.
Pod xt live models. Full Review
I got this yesterday night, since my foot controller's at my house and I'm at my dorm I can't really test the wahs or bender properly i'm stuck tweaking the 'pedal position' knob around with the mouse in line6 edit, which means i can't really be playing anything at the same time , but the bender definitely sounded pretty good to me besides it of course only being able to handle one note at a time properly.
I didn't really test the new amps much besides to quick see what they sounded like I doubt I'll get much use out of them really cause I have the metal pack. My friend has an xt-live and was very pleased with the different wahs and the bender, so I am sure they're good. I'm glad they finally got a bender, a whammy effect was about the only effect I could think of that wasn't included well I don't know if I will get the bass stuff, it's 99 bucks and I have a direct box already. Maybe I'll buy it and test it out and see if it's worth the money, I kind of doubt it will be though.
I can't wait to update my Live to check this stuff out. I already liked the wah model they had stock on the Live, I'm really excited to hear they are releasing some new ones to choose from. As far as the bass thing Maybe if I have a bill laying around some day I'll plop it down for the bass pack, but until then Machinated Member. Im loving the 'new' L6 Modern Hi-Gain amp. The Tech21 Bass Driver Stomp sounds pretty cool for getting some dirty bass tracks. Ill have to also invest in the Bass Model pack - looks pretty interesting.
Wolfeman I Prefer ELs. So What? I can't wait to try the bass driver stomp with our bassist. I can't wait for all the new stuff to come to Tone Port. Razorjack Bass Behemoth. You do get the option to blend a clean DI with the XT bass model pack, or that's at least what the specs say.
Some variants include USB for direct recording interface with a computer. They are similar in appearance to an effects pedal combined with a simplified mixing console. From Wikipedia, the free encyclopedia. For other uses, see POD. Categories : Instrument amplifiers Musical instrument stubs. Hidden categories: All articles with unsourced statements Articles with unsourced statements from July All stub articles.
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The Guitarists Guide To The Pod Xt Live
I was recently called upon to play a casino gig in Atlantic City with one daunting stipulation I was devastated to say the least. Leaving my pro-level all-tube guitar rig at home was not something I looked forward to doing. I lust for high-end tube amps and custom shop guitars — the very best to achieve a pure, creamy sound. Gear Acquisition Syndrome? You get the picture Having used multiple-effects processors since the mid-Eighties, I knew exactly what I was up against for this gig and what my options were going to be — namely, something in the family of amp modeling products.
All I carried into this gig was my guitar and shoulder bag for the POD. Set up was a breeze — plug in the power supply, make your connections to the guitar and direct to the house PA from the POD. Ready to roll! Of course not. But it was good enough that the character of my sound was present at the gig — an impossibility otherwise. The PODxt Live offers a practical solution for guitarists looking for simplicity in their setup, either by itself as an all-in-one amp modeling and effects unit, or as an all-in-one effects processor to be used in combination with your favorite amp.
It's a very versatile unit overall. A couple of features we would have liked to see include an XLR connection for direct output applications and an input level indicator to monitor the correct amount of signal strength. We found this feature to be very effective when switching from a single-coil equipped Stratocaster to a humbucker-loaded Les Paul. The headphone output also comes in handy for those late night practice sessions.
When making adjustments using these knobs, a virtual knob automatically appears in the LCD screen to view current dial settings and incremental changes for comparison.
The LCD screen provides visual control of all functions within the unit. Though you can control the viewing angle contrast, we found the screen hard to view when standing due to its small size.
The Effect Tweak knob to the right is used for adjusting tweaking in Line 6 terminology the value of a selected effect. The Output Mode button to the lower left of the LCD screen provides instant access to selecting what you are connecting the POD to — Direct for recording and PA applications or various settings for different types of amps combos, stacks, etc. From a functional standpoint, the tuner proved to be only semi-accurate.
Even though the display read that we were in tune, our guitar was slightly off and required another pass. One noticeable problem that developed with our unit over time was that the pedal developed a loud squeaking noise caused by binding of the bushings at the focal point. This was easily remedied by opening the unit, lubricating the bushings and adjusting the tension on the pedal.
Editing effects was easy, and the PODxt Live provided a few different methods for doing so. While in a program, we could simply press the edit button under the LCD screen and then scroll through various pages to make adjustments.
Another option — we could press twice on the corresponding Amp, Stomp, Mod or Delay footswitch to edit that particular effect automatically without having to scroll through pages within that program. We found this feature extremely beneficial and efficient.
It provided quick access to the exact effect we wanted to edit. Edit makes it easy to review your actual effect settings since you can view the knob settings — a useful touch. One feature not available in the PODxt Live is the ability to change the signal path within the effects chain. To achieve certain effects, it would have been useful to have full control over effect order.
We really liked the online CustomTone Library for access to additional programs created by other musicians, and feature-enhancing software packs. The first thing we noticed was some high-end hiss that was controllable by adjusting the output level on the unit. The cabinet selection function — combo, half stack or full stack — worked convincingly, but did not capture the original tone exactly. Though many of the characteristics of tone and natural overdrive were duplicated, the real warmth of the tubes could not be obtained.
The sound just lacked the warmth, depth and response of a true tube amp and speaker. Having true tube technology in the signal path really added the warmth and depth we needed to hear.
The tones were very comparable to the original pedals and provided the distinction in sound we were looking for. The Chorus, Reverb and Compression effects were among our favorite effects in the unit. We were able to obtain a very plush chorus and crystal reverb effect comparable to high-end units found in the market. The Reverb provided a lot of depth and control through a variety of room simulation settings.
The Compressor had excellent attack and provided a wide range of Red and Blue compression simulations. The Delay effects offered multiple selections as well, including analog delay, tube echo, sweep echo, digital delay, stereo, ping pong and reverse to name a few. One noticeable defect in the effects was the decay of the Noise Gate. As opposed to a smooth decay, we actually heard the incremental changes as the threshold got closer to the Off position.
In a live application where the POD was going direct to the PA, once a desired mix was obtained and depending on the positioning of the guitar in the mix, the PODxt Live provided a generally acceptable tone — though nothing outstanding to comment on.
It provided numerous illustrations and full descriptions of the amp models and effects options. Online support from Line 6 is excellent, as is the active user community developing so many sounds and effects available for free download.
We feel this is a fair price for the unit which compares similarly to other product offerings in its class. The added support through Line6. Derek Davodowich, Senior Editor, is a professional guitar player, Berklee graduate, and guitar instructor located in New Jersey.
Sign up for our newsletter. Other ways that a serious guitarist could make use of the PODxt Live include: As a fast tool for recording ideas at home. You may not be able to record a cranked, miked, tube amp in the middle of the night, not to mention you may not have the tools and experience to make good miked recordings in your home studio.
Recording scratch tracks in a pro studio. If your band is just laying down the rhythm section, why lug your heavy amps and speakers just to give them a guide track? If your practice time seems to only become available at night when the rest of the house is asleep, or in a hotel room while on the road, the stereo headphone output on the PODxt Live offers a great solution for quiet practice while maintaining the sound of a typical guitar rig.
An increasingly popular recording technique involves blending a modeled amp tone on top of your miked tube amp sound. Have you tried this yet? But if used as an effects processor with your existing amp, the entire PODxt Live must be inserted either in your effects loop or placed in front of your amp. Built-in chromatic tuner. External expression pedal input for assigning additional control pedals to preferred parameters.
Headphone output. Auxiliary input for connecting MP3 players, drum machines, etc. You can send program changes on a single MIDI channel, but have limited continuous controller capabilities. Related articles. You might also enjoy.
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